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Search Results for: guvernment condo

Two men and a Bisha

Syd­ney Loney, National Post

You’ve got sports, cul­ture, enter­tain­ment, nightlife,” says Charles Khabouth, mak­ing sweep­ing ges­tures with both arms to encom­pass the attrac­tions of the neigh­bour­hood over which Bisha, a 41-storey lux­ury hotel and con­do­minium, will pre­side when it opens for busi­ness in 2014. “When it comes to loca­tion, this is a 12 out of 10.”

An address on Blue Jays Way in the midst of Toronto’s Enter­tain­ment Dis­trict is just one of the things Bisha will have going for it. Mr. Khabouth him­self is another, or so says his busi­ness part­ner Mel Pearl, prin­ci­pal of Life­time Devel­op­ments. “Charles is the insur­ance fac­tor,” Mr. Pearl says. “His name is on it — literally.”

Bisha was Mr. Khabouth’s nick­name grow­ing up in Lebanon, before he became a renowned restau­ra­teur and bar-scene baron in Toronto. (Mr. Khabouth is largely respon­si­ble for the late-night line­ups of scant­ily clad club goers parked out­side hotspots like Kool Haus, the Guvern­ment and This is Lon­don, which are owned and oper­ated by his com­pany, INK Entertainment.)

Now he stands with Mr. Pearl on the floor of Bisha’s opu­lent pre­sen­ta­tion cen­tre, explain­ing why the tim­ing of Bisha is right for him — and for the city. “First of all, to carry a project like this you need to have expe­ri­ence and matu­rity, but still be young enough to run with it,” he says.

When Mr. Khabouth first came to Toronto in the ’70s, it was the grand hotels that housed the city’s nightlife. If you wanted to see a show or go to a club, you went to the Royal York or the King Eddie. “That all went away,” he says. “We’re going to bring it back.”

In addi­tion to 332 condo suites and 100 hotel rooms, Bisha will boast a fit­ness cen­tre, salon, pri­vate res­i­dents’ lounge, two restau­rants and a 7,000-square-foot rooftop patio, bar and infin­ity pool over­look­ing the city. “It’s a lifestyle space,” Mr. Pearl says. “It’s more than just the four walls of a condo unit. I imag­ine peo­ple com­ing home, toss­ing their keys on the table, then going to social­ize in the bar or rooftop lounge.”

In keep­ing with Mr. Khabouth’s roots in club cul­ture, there will also be two themed floors: a rock-and-roll floor trimmed in leather and lace, and a Hol­ly­wood floor where lush flora and lux­u­ri­ous fin­ishes will lend an airy, L.A. vibe to the space. To cre­ate the over-the-top aes­thetic, Mr. Pearl and Mr. Khabouth enlisted the design ser­vices of Alessan­dro Munge, prin­ci­pal of Munge Leung.

There is noth­ing like this in the city,” Mr. Munge says. “It’s eye candy every­where —your brain will spin when you come in.” And it’s true. From the glossy mar­ble floors and immense columns corseted in black vel­vet to walls that shim­mer in bur­nished sil­ver foil, there’s a lot to take in as you wan­der through the lobby and pre­sen­ta­tion cen­tre enroute to the model suite.

Then there are the fur­nish­ings, trea­sures hand-picked from around the globe, includ­ing an orig­i­nal French art deco con­sole, a free-standing vin­tage Murano glass light fix­ture, and art and sculp­ture from the likes of Uno Hoff­man, Paul Evans and Jeff Goodman.

I like that the space has lay­ers and that the pieces have sto­ries,” Mr. Munge says. Mr. Khabouth even shopped for Bisha at a flea mar­ket in Paris — one that fea­tured price­less cas­tle arti­facts. “We picked up a few things there,” he says nonchalantly.

So who will buy into Bisha? We tried to iden­tify the per­son and real­ized we couldn’t, Mr. Pearl says. “It’s every­body. Our mar­ket is not con­fined to age or career. Just to peo­ple with a cer­tain sen­si­bil­ity and taste.”

Peo­ple will want to say “I live at Bisha,” Mr. Munge says. “Every­one will want to be a part of it.” It may well be the place where paparazzi camp out dur­ing the film fes­ti­val and where peo­ple come to cap­ture a taste of celebrity lifestyle. The guest list for Bisha’s pre­miere event included mod­els, actors and politi­cians, Gucci launched its new per­fume (Gucci Guilty) in the space, and Bisha has already been the site of sev­eral star-studded char­ity fundraisers.

But not every­one wants to face a pha­lanx of pho­tog­ra­phers when they step out for their morn­ing cof­fee, which is why Bisha is designed so res­i­dents can either embrace, or escape, the scene as their mood dic­tates. “You can have as lit­tle or as much of it as you want,” Mr. Pearl says. “It was impor­tant to us that there be sep­a­rate access to the con­do­mini­ums, so you can drive into your park­ing spot and take a sep­a­rate elevator.”

Mr. Khabouth and Mr. Pearl envi­sion the Toronto flag­ship as the begin­ning of a brand that will expand glob­ally. “We have enough arro­gance to believe we can suc­ceed on the world stage,” Mr. Khabouth says.

That suc­cess hinges on how things go in Toronto — Bisha isn’t exactly debut­ing in an empty condo mar­ket. Yes, other major hotels are doing con­dos, Mr. Pearl says. “Are there too many?” he asks, promptly answer­ing with, “I’ve been in the busi­ness for 30 years and there are always too many. But if you do your job right, it doesn’t mat­ter how many there are.”

Mr. Pearl and Mr. Khabouth plan to do the job right by being hands on (Mr. Khabouth will be mov­ing in him­self) and atten­tive to every detail. For instance, even the door lead­ing to the model suite is ornate. “It’s all cus­tom,” Mr. Khabouth says. “You get a rich feel from the moment you step out of the ele­va­tor.” Once inside, Mr. Khabouth pulls open a drawer in the ele­gantly appointed bath­room of the model suite. “They’re all self-closing and fin­ished on the inside — they’re not just those clunk, clunk things,” he says. “It’s the dif­fer­ence between a $5 hinge and a $140 hinge. It mat­ters in the long run.”

Hinges aside, suites will also fea­ture nine-foot ceil­ings, spa­cious bal­conies, floor-to-ceiling win­dows and Mr. Leung-designed cus­tom cab­i­netry. But what may ulti­mately set Bisha apart is its rel­a­tive afford­abil­ity, mak­ing a celebrity lifestyle acces­si­ble to the not-so-rich-and-famous. “We wanted to make it beau­ti­ful, but also of value,” Mr. Khabouth says.

Units are priced from about $350,000 to more than $1.5– mil­lion and range in size from a cozy 379 square feet to more than 1,600 square feet. “It was really impor­tant that we had some­thing to fit people’s dif­fer­ent require­ments, whether they’re look­ing for a beau­ti­ful home for enter­tain­ing, or an ele­gant pied-à-terre for week­end get­aways,” Mr. Pearl says.

It’s great value for a level of sophis­ti­ca­tion that’s well over the price, Mr. Khabouth says. “And whether it’s enter­tain­ment, art, ser­vice or design, there really is some­thing for every­body. I can’t see myself liv­ing any­where else.”

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Con­tact the Jef­frey Team for more infor­ma­tion – 416−388−1960

Lau­rin & Natalie Jef­frey are Toronto Real­tors with Cen­tury 21 Regal Realty.
They did not write these arti­cles, they repro­duce them here for peo­ple who
are inter­ested in Toronto real estate. They do not work for any builders.

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Incom­ing search terms
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  • Toronto’s king of clubs turns to hotels

    By Tony Wong – Toronto Star

    Charles Khabouth is no stranger to rolling the dice when it comes to churn­ing out new ven­tures aimed at fickle consumers.

    As Canada’s largest night­club oper­a­tor he is an estab­lished brand, the most pow­er­ful man in Toronto’s enter­tain­ment dis­trict. A pope to the city’s night denizens hopped up on lychee mar­ti­nis and techno.

    But his lat­est project is his biggest gam­ble yet. And this time he’s put his name on it.

    Khabouth is build­ing a $150-million hotel and con­do­minium named Bisha. That’s short for Bechara, Khabouth’s child­hood name.

    You can hardly miss it. A giant bill­board embla­zoned with his logo is already planted at 56 Blue Jays Way, the for­mer home of the Sec­ond City com­edy troupe in down­town Toronto.

    The size of the ven­ture begs the ques­tion: Khabouth has con­quered the club world, but can he suc­ceed in North America’s tough­est condo market?

    Toron­to­ni­ans are spoiled for choice when it comes to boxes in the sky. In the sec­ond quar­ter of the year the city had 272 con­do­minium projects on the mar­ket — the most of any met­ro­pol­i­tan area on the con­ti­nent. Another condo? Yawn. Another bou­tique hotel? Take a number.

    We want to be able to have the hip fac­tor of a bou­tique hotel, but with the atten­tion to detail of a Four Sea­sons,” says Khabouth.

    There is saw­dust in the air, and ear­lier in the week his sales office was cov­ered in plas­tic sheets, but Khabouth’s vision is tak­ing shape.

    It all starts with the doors,” says Khabouth, point­ing to over­sized, ornate dark wood doors with elab­o­rate gold han­dles. “That’s the first thing peo­ple see. Impres­sions count.”

    Khabouth’s style is Prince of Per­sia meets Philippe Starck. In his restau­rants, vel­vet and gold accents and dan­gling beaded cur­tains clash with angu­lar gran­ite and glass, recre­at­ing the Per­sian lounge for the 21st century.

    Not sur­pris­ingly, the new project will be opu­lent, with a dis­tinctly night­club vibe.

    Bisha’s hotel will have two themed floors: a black and red themed Rock and Roll floor, and a Hol­ly­wood Floor with a Bev­er­ley Hills vibe. Like his clubs, there will be a huge amount of space — 30,000 square feet devoted to ameni­ties includ­ing food and bev­er­age and a fit­ness centre.

    On top of the 41-storey devel­op­ment, Khabouth’s INK Enter­tain­ment, along with Life­time Devel­op­ments prin­ci­pals Mel Pearl and Sam Her­zog, plan to build 332 condos.

    We want to cre­ate a hotel brand from scratch,” says Pearl. “This hasn’t been done in Toronto since Issy Sharp built the Four Seasons.”

    The part­ners hope that the Bisha con­cept can be expanded to other cities to take a place among other hip hotel brands, such as W and Thomp­son Hotels.

    The con­cept might sound silly. Who would care about a Johnny-come-lately Cana­dian brand when the world is filled with bou­tique wannabees?

    That was the ques­tion Pearl asked him­self when he set to build a hotel in Toronto. Life­time started out as a low-rise devel­oper before branch­ing into down­town con­dos. The com­pany cur­rently has eight projects on the mar­ket, with a C.V. that includes part­ner­ships in Lib­erty Mar­ket Lofts and the Four Sea­sons Hotel and Res­i­dences, the highest-profile condo project in the city.

    But devel­op­ing a new brand is a lot riskier than sim­ply hir­ing a man­age­ment com­pany such as a Ritz Carl­ton or Trump. The part­ners know that get­ting a cus­tomer to com­mit to an over­priced Red Bull or two is one thing. Sell­ing con­dos that will go from more than $300,000 to over $1.5 mil­lion will prove more difficult.

    Pearl hooked up with Khabouth through Bisha designer Alessan­dro Munge, who had worked for both men. Pearl, a youth­ful look­ing 55-year-old with a pen­chant for jeans, already knew Khabouth by reputation.

    Khabouth, 49, grew up in Lebanon. Even though he has cou­ture tastes — he owned his own Hugo Boss bou­tique, drove a Fer­rari and his wife is a for­mer model — Khabouth wears a sig­na­ture dark urban safari jacket and could eas­ily be mis­taken for a bike courier.

    He worked three jobs in high school; his first was at a McDonald’s. When he was 22, he started his first night­club with a $30,000 loan. He hit it big when he used the pro­ceeds from his first ven­ture to rent a decrepit space at Rich­mond and Dun­can in 1986, cre­at­ing what would become the city’s enter­tain­ment district.

    The pri­vately owned INK gen­er­ates now more than $30 mil­lion in rev­enues annu­ally, accord­ing to Khabouth. It owns and oper­ates the mas­sive Guvern­ment and Kool Haus night­club com­plex on the city’s water­front, the largest such venue in Canada with more than 50,000 square feet on the main floor, and the This Is Lon­don night­club in the enter­tain­ment dis­trict. It also owns the Drag­on­fly Night­club in Casino Nia­gara and a string of restau­rants, includ­ing Ultra Sup­per Club on Queen Street and Spice Route, an Asian-influenced bistro bar on King Street West.

    This year, Khabouth is finally being rec­og­nized by the main­stream busi­ness com­mu­nity. He is on the short list of nom­i­nees for an Ernst & Young Entre­pre­neur of the Year award.

    Khabouth has been likened to Canada’s Ian Schrager, the for­mer Stu­dio 54 owner cred­ited for cre­at­ing the widely copied bou­tique hotel con­cept in Manhattan.

    He was the Toronto orig­i­nal, here before the über-hip Drake and Glad­stone hotels. Before Peter Freed devel­oped the city’s west end and brought in a newly opened Thomp­son Hotel with its rooftop pool par­ties. But it took him a lot longer to get in the business.

    Khabouth under­stands the irony. The man who orig­i­nated the lifestyle club looks like he’s com­ing late to the all-night party he started.

    And besides, Canada already has a bou­tique chain. Khabouth was beaten to the punch by Que­bec City’s Chris­tiane Ger­main. In the ’90s she stayed at Schrager’s first hotel, Mor­gans in New York, and was inspired to do some­thing north of the bor­der. (A Hotel Le Ger­main in Toronto opened in 2002; a sec­ond is planned to open this fall beside the Air Canada Centre.)

    Being late is one thing, but it doesn’t mat­ter how late you are if you’re incom­pe­tent,” argues Pearl. “I think peo­ple who buy into Bisha will see that they are get­ting value, they will see it in the execution.”

    The devel­op­ers under­stand that just because you build it, patrons won’t nec­es­sar­ily appear. You need buzz.

    This is, per­haps, the entrepreneur’s com­pet­i­tive advan­tage in the hotel game.

    Under INK, Khabouth books dozens of musi­cal acts every year and plays host to celebri­ties and rock stars in his many clubs. Last year, he esti­mates he rented more than 1,500 rooms at Toronto hotels to host his out-of-town acts. This year INK was the offi­cial host for the Much Music Video Awards, orga­niz­ing offi­cial after par­ties for stars such as Justin Bieber and Miley Cyrus.

    In the brave new world of prod­uct place­ment, nowhere is the power of celebrity more pro­found than in the hos­pi­tal­ity indus­try. You are where you dine and sleep.

    Today, paparazzi in front of Nobu in New York or Thompson’s Hol­ly­wood Roo­sevelt pro­vide per­fect global mar­ket­ing. Whether it’s hand­bags or hotel rooms, celebri­ties move product.

    I know this city,” says Khabouth. “I know the hotels. I know the night­clubs. I know the peo­ple. I’m not say­ing this because I’m try­ing to boast. It’s a fact.”

    Pierre Bergevin , pres­i­dent of real estate con­sul­tancy Cush­man & Wake­field, says there is still room for good bou­tique hotels in the city.

    Just try and get a room dur­ing the film fes­ti­val,” says Bergevin. “They attract a higher-spending cus­tomer with good dis­pos­able income that isn’t nec­es­sar­ily on a cor­po­rate budget.”

    Bergevin says the small size of the hotels also means that there is less chance of saturation.

    But like hip night­clubs, hot hotels can be yesterday’s news. Main­tain­ing an edge will be chal­leng­ing. And then there is the ques­tion of too much product.

    What keeps me awake at night? That the (condo) mar­ket will crash,” Khabouth says bluntly.

    Sales in the new condo mar­ket were down 8% in the sec­ond quar­ter of 2010 com­pared with the first. Some ana­lysts say there are already too many projects on the market.

    Pearl remem­bers 1989 in Toronto all too well. His com­pany had 40 low-rise homes in North York that had been sold. Only four closed the year the bub­ble burst.

    We learned some hard lessons,” says Pearl. “You never say never — the econ­omy can always go south. Or your ego can get the bet­ter of you.”

    Pearl says he has seen too many projects fail because of hubris. Of devel­op­ers who think it’s cool to get into the hotel and restau­rant busi­ness because they want to hang out with models.

    This isn’t about van­ity, about hav­ing a place to crash,” says Pearl. “We’ve seen that movie before. Our num­bers have to work.”

    Pearl says Life­time is con­ser­v­a­tively man­aged and takes on strate­gic part­ner­ships to diver­sify. Khabouth claims he is not lever­aged on any of his exist­ing com­pa­nies. The part­ners say they are fund­ing the start-up costs, includ­ing the elab­o­rate show­room, entirely with cash.

    Once con­struc­tion starts, the build­ing will be debt financed. But first, they have to sell con­sumers on the idea of buy­ing into the Bisha lifestyle.

    Adver­tis­ing for Bisha shows a sen­su­ous black and white image of a woman’s face, blind­folded by a lace hand­ker­chief. It sug­gests the good life with a hint of S&M, not all that dif­fer­ent from the under­ground club scene Khabouth helped cultivate.

    But after con­quer­ing the club world, it remains to be seen whether he can cre­ate a hotel brand that will bear his name.

    This is tak­ing every­thing I know — all my dif­fer­ent skills — and putting it in one project,” says Khabouth. “It’s some­thing that hope­fully will be around for my kids and grandkids.”

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    Con­tact the Jef­frey Team for more infor­ma­tion  -  416−388−1960

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